Stars Simplified: BlockBase #3735


#3735b pieced of toile, chintz and linen
I've been sorting my digital files of stars and found some pretty complicated patterns, which derive from this basic star pieced of eight diamonds #3735 in BlockBase

I thought I'd go back to the basics in the stars based on diamonds.
The star pieced of 8 diamonds is similar to the nine-patch star
#2138 looks much the same but has no Y-seams.
It's often hard to tell if the star is pieced of 8 diamonds or a nine-patch star. In the detail above this one seems to be the nine-patch or sawtooth star.
' G/W/T/ 1795 Made in what is now West Virginia
See more about this quilt at the Quilt Index http://www.quiltindex.org/basicdisplay.php?kid=50-8A-106F
Both versions of the variable star go back to the 18th century. The medallion quilt dated 1795 has the eight-diamond stars in the borders.

As does this medallion dated 1806 in the collection of the Delaware Historical Society.
Clarissa D. Moore 1837 Collection of Old Sturbridge Village
Clarissa Moore (1820-1912), of Eastford, Connecticut, pieced this quilt at the age of 17.
Her variation (#3735b) alternating diamonds in different shades was quite popular.
She did stenciling in the white spaces behind the stars.
See more about this pieced and stenciled quilt here: http://resources.osv.org/explore_learn/exhibits.html?E=3&S=15

In BlockBase, my digital index of patterns for PC's, I show 5 shading variations: a to e. If you want to look it up by number in BlockBase be sure to type in the a, b, etc.
The popular pattern has many published names although the names were published long after these early examples I am showing here. The oldest names are fairly generic. In 1894 the Ohio Farmer called it Star.
Names from my Encyclopedia of Pieced Quilt Patterns in book format.

About the same time the Ladies Art Company called it Eight Pointed Star
The women who made these early chintz versions may have had a more poetic name for the design but we have no records of pattern name until the end of the 19th century

Collection of the American Museum in Bath
Once in Susan Parrish's collection

I tend to save pictures of the busy versions with chintz alternate blocks because they really appeal to me, but some early-19th-century examples focused on the patchwork instead of the prints creating a simpler look.
The white plain areas were a good spot for heavy quilting.

A scrappy version mid-19th century?
The pattern remained popular as style changed after the 1850s
reflecting new fashions in fabric and the more graphic look of calico-scale fabrics contrasted with white.
#3735d Perhaps from the first quarter of the 20th century done in the checks and plaids popular then.
36 star blocks 12" on point = 102" square
Froncie Quinn has done a Hoopla pattern for the Clarissa D. Moore quilt, which would look quite nice in the fabric from my Ladies's Album repro line for Moda.
with the Love's Token Print in Red rose (#8280-20) for the alternate blocks.

The Hoopla pattern includes the stenciling that Clarissa did too.
http://hooplapatterns.danemcoweb.com/shop/product/clarissa-d-moore-quilt-pattern/
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