Artist Robert Yoder’s gallery (check out yesterday’s blog post featuring a conversation with Robert and artist Ian Toms), known simply as SEASON, resides on a wide thoroughfare between two nort...
This is the first in a series of discussions conducted between professionals – gallerists, collectors, curators, artists – who have some kind of connection or partnership that elicits con...
In the countryside north of NYC Robert Baribeau has been feverishly at work on a thirty-year exploration of the impact of landscape and place on abstraction. He is the measure of what he purveys and ...
A few months prior to opening her new storefront gallery, Lauren Gentile organized the group show Next Generation in a raw warehouse space in downtown D.C. It was timed to coincide with the Rubell Fa...
Former Director of the J. Paul Getty Museum, and recent Interim Director of the Cleveland Museum of Art, Deborah Gribbon is by no means a gallerist or collector in the typical sense of the words. But...
The wide open space of Culver City’s WESTERN PROJECT is the perfect white-walled arena for Brian Porray’s (NAP #84 and #87) looming, neon, psychedelic architectural landscapes. – Ellen Caldwell...
Another weekly recap, for those that simply couldn’t follow along the past few days on our blog…“after the jump,” as they say. Sam Gordon | Impossible Object, 2010; acrylic pa...
Museums have gone crazy for traveling group blockbusters but the works in their collections can still inspire. In the coming months, our Boston Contributor, John Pyper, will explore some of the works...
One of the great things about being in Boston’s South End is that we have tons of great art all around us. You may think that we have enough art to look at, given the competitions we manage, bu...
Our next New American Paintings deadline is for the Pacific Coast region, which includes Alaska, California, Hawaii, Oregon, and Washington. If you reside in any of these states, now is your chance t...
The centerpiece of Buddy Bunting’s Flat Time Blue at Prole Drift (on view through May 27th) is a panoramic watercolor and flashe painting that stretches twelve feet across the wall. The painting depi...
Sam Gordon’s abstraction poses a photographer’s take on his show title, Trompe L’Oeil (On view at Feature Inc. through May 26th). A painter, photographer, and videographer, Gordon collects and weaves...
The tenuously-connected tissue of small marks on Jen Erickson’s paintings at PUNCH Gallery (On view through June 3) fan out like smoke curls, clustered blooms of algae or exploding supernova. S...
Ok, another week bites the dust. I admit I’m getting really worried that I’m running out of ways to introduce the Weekly Recaps. I mean, at some point, it’s going to get redundant, ...
I caught up with artist Libby Black (NAP #67 and #85) at Marx & Zavattero gallery in San Francisco, where her show ‘Nothing Lasts Forever’ is currently on view (through May 26th). Black has caref...
In “Twice Told,” Stephanie Washburn’s inaugural solo show at Mark Moore Gallery, Washburn creates a distinct and unusual medium through a combination of many. Mixing paint, digital media, and everyda...
I had the opportunity to take a quick trip down to New York for the art fairs this past weekend. You would think that gallerists and collectors alike would have had their fill with the Armory Show an...
In her third solo show “Everywhere Close to Me” at Taylor De Cordoba, Charlene Liu creates and mediates really special moments with her works on paper. Using delicate cutouts, overlapping and woven p...
LewAllen Contemporary’s exhibition of paintings by American artist Bernard Chaet (b. 1924) features work from the 1960’s to the present. Keeping with LewAllen Contemporary’s penchant for expressive p...
It looks quite strange when the modern and natural worlds collide. Like an alligator gut full of aluminum cans or a birds’ nest made of soda straws and bits of dental floss – we think we know what na...
Munch’s “The Scream” sold for $119.9 Million this week! Equally as huge, we have extended the West Region deadline to this Sunday at Midnight, EST. Ok, maybe a stretch, but still ne...
There’s no getting around the fact that Matthew Metzger makes difficult paintings. His may be among most difficult paintings I have ever seen, though the act of “seeing them” or “looking at them” is ...
May is traditionally the last month of the art world “season.” As summer looms, rhythms change and many galleries choose to mount group exhibitions instead of solo shows. It makes sense, after all, w...
Last weekend the Baltimore Museum of Art hosted its bi-annual print fair, bringing together a group of exciting printmakers for a small two-day event that featured an artist talk by Trenton Doyle Han...
In conjunction with an exhibition at Corbett vs. Dempsey in Chicago, Eight Modern Gallery (Santa Fe, New Mexico), will show the paintings of Rebecca Shore (NAP #41) until May 5. This two-gallery exhi...
We have extended the deadline for our West competition which is now May 6th, Midnight (EST). So, if you reside in Arizona, Colorado, Idaho, Kansas, Montana, North Dakota, Nebraska, New Mexico, Nevada...
Thematic arts programming abounds during the National Cherry Blossom Festival. In fact, you didn’t need to look too far from the Tidal Basin this spring to find a selection of works by Japanese maste...
The walls of Regina Rex have been taken over by four large, brightly-colored paintings, with luscious layers of thick and thin paint and most with elements of pure black. The paintings in the exhibit...
Another full week on the blog. In addition to introducing our West Juror, Bill Arning, and reminding everyone to apply to the West Region competition by the April 30th deadline to avoid a late fee, w...
One would not expect to happen upon Robert Storr’s paintings inside a small gallery in a residential neighborhood of Seattle. Finding Storr’s paintings on the Internet is difficult enough, given the ...
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