by Jonathan Blaustein I feel bad for kids today. Teen-agers in particular. There is no privacy anymore. No secrets. It’s impossible to grow through one’s awkward moments out of the camera...
QUESTION: Why bother yourself about the archaic world of long-forgotten photographers when there is so much happening that is now? Why concern yourself with images that are so passé when there’...
(click images to make bigger) Esquire Creative Director: David Curcurito Director of Photography: Michael Norseng Photo Editor: Alison Unterreiner Art Director: Stravinski Pierre Photographer: Phil P...
Still Images In Great Advertising, is a column where Suzanne Sease discovers great advertising images and then speaks with the photographers about it. When I am looking for work for this column, I ch...
Across the 190 magazines tracked by the survey, the total print audience declined by 1.7 percent in the past six months versus the prior six-month period. At the same time, digital readership (which ...
(click images to make bigger) The Lab Magazine Art Editor: Darya Kosilova Creative Director: Justin Tyler Close Design: CLOU Photographer: Andrew Eccles Note: Content for The Daily Edit is found on t...
Great story in PDN about sources for new photography: Favorite Sources for New Photography: Part 1 Favorite Sources for New Photography: Part 2 Love to watch how it evolves past the mailers and sourc...
…in less than 10 seconds he was miraculously able to make a 180-degree turn and decided she was right. In what the previous day he thought was the best one-day shoot of his career, had now turn...
(click images to make bigger) GQ Design Director: Fred Woodward Creative Director: Jim Moore Director of Photography: Dora Somosi Senior Photo Editor: Krista Prestek Art Director: Chelsea Cardinal Ph...
Frankly, it’s hard to see war photography these days as anything but a moral compromise across the board. For example, how is the embedding program anything else but a moral compromise? How are those...
“The guy who put dots over people’s faces” via, John Nack. ------------------------------ ------------------------------ ------------------------------ --------- Looking to buy a new w...
(click images to make bigger) Outside Design + Photo Director: Hannah McCaughey Art Director: John McCauley Photo Editor: Amy Silverman Photographer: Fredrik Brodén Note: Content for The Daily Edit i...
by Jonathan Blaustein “You can’t kill an idea,” said the great Sherlock Holmes. (As played by Benedict Cumberbatch.) How true. It’s the reason behind censorship, gulags, and M...
At the heart of the Internet business is one of the great business fallacies of our time: that the Web, with all its targeting abilities, can be a more efficient, and hence more profitable, advertisi...
(click images to make bigger) Bike Photo Editor: David Reddick Art Director: Shaun N. Bernadou Photographer: Sterling Lorence Note: Content for The Daily Edit is found on the newsstands. Submissions ...
Still Images In Great Advertising, is a column where Suzanne Sease discovers great advertising images and then speaks with the photographers about it. When I was at The Martin Agency, I had the pleas...
What you need to decide, is if you really want to be a commercial photographer, or if you just like taking pictures. These are two very different things entirely and it’s hard for many people t...
(click images to make bigger) The Red Bulletin Chief Photo Editor: Fritz Schuster Creative Photo Director: Susie Forman Creative Director: Erik Turek Art Director: Kasimir Reimann Photographer: Andre...
Hot on the heels of Jonathan’s post yesterday about the Fotofest portfolio review I discovered that Review Santa Fe has their listing of Photographers whose portfolios made the cut up on their ...
I blew it. I was lost. I don’t know anymore today what the right answer is. In retrospect the problems are the same today as they were then and I am not sure I have learned anything. The light I use ...
(click images to make bigger) New York Magazine Masthead not published this issue Photographer: Carlos Serrao Note: Content for The Daily Edit is found on the newsstands. Submissions are not accepted...
by Jonathan Blaustein My feature articles run long. Have you noticed? If it’s not a book review, you can count on me to get verbose and intricate. Conversely, I also love to rebel. So let this ...
everyone said print was dead and I would have to publish online. I don’t think print is dead at all, but it never hurts to listen. So, we decided to publish monthly online first, for economics as wel...
(click images to make bigger) Elle Creative Director: Joe Zee Design Director, ELLE Group: Paul Ritter Associate Art Directors: Daniel Fisher, Elvis Cruz, Jill Serra Photo Director: Pippa Lord Photo ...
Just about every institution has changed in the new Conversational Age, including media. What really hasn’t adapted is advertising. Extremely few interactive ads have ever been served up and those th...
Ken Burns on storytelling: ------------------------------ ------------------------------ ------------------------------ --------- Looking to buy a new website? A Photo Folio is a website design company ...
(click images to make bigger) The New Yorker Arts Editor: Françoise Mouly Photographer: Ethan Levitas Note: Content for The Daily Edit is found on the newsstands. Submissions are not accepted -------...
by Jonathan Blaustein Waiting for the sunshine. Waiting for the sunshine. Tired of the gray days. Tired of the gray days. Oh, but it ain’t comin’, it ain’t comin’, Soon. No, i...
“I do feel these are extraordinary times. I do feel that we in a sense are at the beginnings of a renaissance with regards to journalism,” he said. “I know that’s hard for many people to hear given t...
(click images to make bigger) Flaunt Creative Director: Jim Turner Photographer: Kristina Wilson Note: Content for The Daily Edit is found on the newsstands. Submissions are not accepted ------------...
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