Helmut Lang, spring-summer 2004 – skirt and belt – metallic leather, plastic and metal / Another magazine One of the key items of one of my favorite Helmut collections – somehow it&...
Stunning late 90s editorial from Vogue Italia’s couture supplement, shot by Steven Meisel and styled by Nicoletta Santoro. Looking at these photos I think again about appearance and power ̵...
Chanel feather headdress, Irving Penn, New York, 1994 vs. Thistle Preliminary course under Johannes Itten Bauhaus Weimar, 1921 26.5×37 cm Private collection
Here’s my new fascination – works by Tsuguharu Foujita, especially his ink portraits and nudes. I like their exquisite, sinuous lines, pearlescent colors, beautifully disproportioned face...
I continue to observe and admire 90s fashion editorials such as this one from Vogue Italia shot by Peter Lindbergh and styled by Nicoletta Santoro. I like that it’s so minimalist – nothin...
Looking at these photos it’s strange to know that these are actually flowers – three different sorts of tulips. I like the abstract quality of these images, the petals look like swirls an...
‘Mad girl’s love song’ – a poem by Sylvia Plath: I shut my eyes and all the world drops dead; I lift my lids and all is born again. (I think I made you up inside my head.) The...
from Mario Testino book ‘Alive’
disturbing and beautiful color combinations that interest me at the moment
Raf Simons for Jil Sander flowers vs the ones from №D magazine by Olivier Theyskens
military is ‘in’ again) – ‘Theatre of fashion’ shot by Steven Meisel and styled by Brana Wolf, Vogue Italia October 1998
the way I like it – ‘Blue velvet’ opening credits along with the page from Russian Vogue’03 (kind of an opening credits for the fashion ed) if only it was real – just im...
way too much: ‘there are days when a needle, a piece of cloth, a book, a man are all the same thing’
The Group – shot by Steven Meisel for Vogue Italia, July 1999 Now working closely with professional retouchers I realize just how much photoshop-polishing goes into production of every image we...
Juergen Teller, 2005 (history of our world)
One of the reasons to love Olivier Theyskens – ‘dead birds shoes’, early 00s
insanely beautiful photoset from Another mag fall10 styling – Alister Mackie, art – LucyandBart, photography – Nick Knight
Grim, intricate and richly detailed paintings of plants, snakes and insects by Otto Marseus van Schrieck
Black antique chantilly lace shawl
stills from new Roustam Khamdamov’s movie – ‘Diamonds. Theft’ – pt.1 / pt.2
For quite a while now I’m very into ethnic jewelry – heavy, intricate and meaningful. I want to be clad head to toe in these chains, pendants, necklaces, headpieces, bracelets etc. like a...
A few more of Gres gowns. I’m glad she’s now getting all the attention she deserves but at the same time I couldn’t help but think ‘where all of you have been before?’. ...
For a long time now ritual scarification has been used as an initiation rite. One have to endure pain in order to become a full member of society. In this case marks on the body are an evidence of s...
Antique chantilly lace.
German army uniform of WW2 very interesting camouflage prints, details and ‘accessories’
I just remembered a book I read a few years ago when doing a research for my graduate collection. It’s a novel by swedish writer Karin Boye called ‘Kallocain’. Of all the things I r...
the Unexplained, photo: Lee Jenkins for the Face, 1999
Now it’s time for a serious glamour: two gowns from Olivier Theyskens’s first collection for Nina Ricci (from French Vogue). Personally I prefer his works for his own label and Rochas. He...
Two draped headpieces from Robert Campin’s portraits:
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