Menu
The New Contemporary Art Magazine

The 70th Volume of Hi-Fructose is here.

Our new issue features a plethora of issue exclusive articles, printed on fine art papers, featuring a cover feature on Rachel Hayden, the sculptures of Ghica Popa, the paintings of Anna Weyant, the astro bright art of Benni Pink, a special insert on the detailed drawings of Grisha Kim, a major feature on Christian Rex Van Minnen, surrealist Matt Hansel, Aiste Stancikaite’s narrative paintings, a studio visit with Kelly Dale Moore, Kinshasa street artists, a visit to the Punk Rock Museum and more!

Articles
Illustrator-turned-fine artist Janice Sung’s figures seem at home amidst natural settings, whether in a lily pad pond or a garden, floating like a near-translucent milk specters. Her recent gallery showing at Gallery Nucleus in Los Angeles, the first using physical media by the artist. We asked the artist a few questions about her new body of work and about transitioning from digital to physical media. Click the above already and read the hifructose.com exclusive interview.
Hi-Fructose writer Zara Kand visits Coleccion SOLO in Spain for their latest Handle With Care exhibition. Click above to see the full report.
Since 2005

The New
Contemporary
Art Magazine

Hi-Fructose is a quarterly print art magazine founded by artists Attaboy and Annie Owens in 2005. Hi-Fructose focuses squarely on the art which transcends genre and trend, assuring readers thorough coverage and content that is informative and original. Hi-Fructose showcases an amalgamation of new contemporary, emerging as well distinguished artists, with a spotlight on awe inspiring spectacles from round the world.

Social Feed
Friday night peels with Yifan Zhang.
 @dy_yifanzhang
Holy Light
Descend

Friday night peels with Yifan Zhang.
@dy_yifanzhang
Holy Light
Descend
...

6315 43
There’s only one month until @gameofshroomsofficial the world wide Art n Seek holiday! On June 8th, find original art works from artists in your area (check the map to see who) and look for clues.
Clip from GOS documentary by @kyle.maier.maybe 
🎶 by @kittenonthekeys

There’s only one month until @gameofshroomsofficial the world wide Art n Seek holiday! On June 8th, find original art works from artists in your area (check the map to see who) and look for clues.
Clip from GOS documentary by @kyle.maier.maybe
🎶 by @kittenonthekeys
...

380 7
We attended an advanced preview of the Art of Noise exhibition at the SFMOMA. The design driven showing, which takes over the entire 7th floor of the institution, is certainly worth the visit, especially if you have the extra moments to appreciate its more subtle components. And by components we mean that literally.  In a dimly lit room towards the entrance is an audio nerd’s dream, an entire space dedicated to one single activity: listening to records with equipment expertly fine tuned for that experience alone, in order to get as close as possible to the record artist’s original intent. Obsessed over and designed by OJAS aka Devon Turnbull whose temple like HiFi Listening Room pipes music through custom-built speakers; with each and every component, nob and wire dialed in for maximum record appreciation, without distraction.  Also represented is an archive of San Francisco music posters from the 60s to today; with punk street fliers found on utility poles included. You’ll see works from Chuck Sperry, Para,
90s Rave artists and signature pieces like Joy Division’s Unknown Pleasures poster and Milton Glaser’s iconic Bob Dylan poster.  There are listening stations which we found kind of confusing, a Suessian soundscape sculpture on the Terrace, a strange yet amusing choir of wooden  robot totem singers (somehow incorporating AI) and a fantastic collection of audio equipment that spans  industrial design history; from Victrolas to the battery-powered Boom Box, with one of a kind art works in between while music from Kraftwerk and LL Cool J plays from their speakers.
@sfmoma

We attended an advanced preview of the Art of Noise exhibition at the SFMOMA. The design driven showing, which takes over the entire 7th floor of the institution, is certainly worth the visit, especially if you have the extra moments to appreciate its more subtle components. And by components we mean that literally.

In a dimly lit room towards the entrance is an audio nerd’s dream, an entire space dedicated to one single activity: listening to records with equipment expertly fine tuned for that experience alone, in order to get as close as possible to the record artist’s original intent. Obsessed over and designed by OJAS aka Devon Turnbull whose temple like HiFi Listening Room pipes music through custom-built speakers; with each and every component, nob and wire dialed in for maximum record appreciation, without distraction.

Also represented is an archive of San Francisco music posters from the 60s to today; with punk street fliers found on utility poles included. You’ll see works from Chuck Sperry, Para,
90s Rave artists and signature pieces like Joy Division’s Unknown Pleasures poster and Milton Glaser’s iconic Bob Dylan poster.

There are listening stations which we found kind of confusing, a Suessian soundscape sculpture on the Terrace, a strange yet amusing choir of wooden robot totem singers (somehow incorporating AI) and a fantastic collection of audio equipment that spans industrial design history; from Victrolas to the battery-powered Boom Box, with one of a kind art works in between while music from Kraftwerk and LL Cool J plays from their speakers.
@sfmoma
...

264 10
Get Past Issues and Bundles

Subscribe to the Hi-Fructose Mailing List