For several years, I've prided myself on having absolutely NO UFOs! Among fiber artists and quilters, this is highly unusual. So ... what's a UFO? Well ... the letters stand for UnFinished Objects. I'm a "finisher" and always have been. Yet, I recently found a box in which there lay a UFO ... my UFO from July 2011. I blogged about starting this project HERE. I seriously meant to finish it. It went to my art residency at Hot Springs National Park in Arkansas (2011) where I nearly broke my little Bernina sewing machine. The bulk of 61 little US flags basted on a casket flag with a foundation layer of black, recycled industrial felt was just too much. Apparently, I put it into the box and totally forgot about it ... including the time when I totally moved my studio home from a cooperative studio group. I must have moved the box! I just didn't open it.
As soon as I took the basted art quilt out of the box, Ernie the Cat jumped into the box. This action really seemed like a sign to finish the work ... or at least not to put it back into the box! LOL! After all, the box was otherwise "occupied" and I now own a Babylock Tiara, a machine that can handle such a big, bulky piece. I then looked at my assorted thread. I had a large cone of variegated navy blue, variegated bright red, and two large spools of a medium blue to white thread. Perfect. I was stitching within a half hour ... and I've been stitching for hours and hours ever since. Let's face it; a casket flag measures 9 1/2' x 5'. That's a lot of area for dense machine embroidery!
While stitching, I contemplated all sorts of ways to finish the work. I happen to have two more casket flags. (Like the foundation for Cemetery Flags, these casket flags came on table lots at Bill Mishoe's estate auctions from families who discarded their loved ones' military/memorial flags. Hard to believe but true!) I thought about using one for the reverse side. Yet, the dense stitching naturally shrunk the area. From an original size of 9 1/2' x 5', the final dimensions measure 9'1" x 4'8". Because the piece was stitched while rolled, I never really saw it until placing it on our living room floor. At that time, it became obvious that all I needed to do was to trim away the excess black industrial felt. No back or binding was needed. In fact, no 4" sleeve is needed either. Flags have grommets!
I didn't really need to cover the back. The reverse side actually looks good too! It shows the patterns I stitched, especially when I used a white thread in the bobbin. Otherwise, I used a black thread, especially for the variegated navy thread.
I also worried about the heavy canvas hoist at the top of the flag. Of course, it didn't shrink. Thankfully, it doesn't seem to matter when hanging the work by the grommets. I took the final images at Stormwater Studios where I had access to a 12' wall and lots of natural light. My artistic mentor Stephen Chesley made the arrangements. Thanks, Stephen!
Back when I designed and basted this art quilt, my studio was across the hallway from Stephen's. In the photo above, my studio was on the left. His was the door on the right. At the time, I worried about this art quilt being a flag code violation. Perhaps it is ... but I didn't throw out or consign to auction any of the flags. I rescued them from the trash.
To me, there is something profound in thinking about the flag as a symbol. There's also something profound in thinking about the people who threw these flags out ... flags that once marked a loved one's grave as a patriot, a veteran, a fellow American. There's also something profound about the many ways artist and protesters have used the US flag for a wide range of opinions. As an artist, I don't really want to put any personal spin on this piece. I want it to speak to those who see it ... in the light they bring to the experience. Below are some of the detail images I snapped.