The desert imagery was definetly an influence on Quentin Tarantino’s Kill Bill, where The Bride goes out to Bud’s trailer and where she walks through the desert, even the music of that sequence seems influenced by Zabriskie Point. Here’s the Bootleg Trailer I cut with Quentin for Kill Bill , the opening music is the music I’m talking about.
Another thing, ZP ends with a big explosion, a similar ending , actually a very similar ending occurs in Robert Downey Sr.s GREASERS PALACE, a huge explosion and a very long shot of a sunset. In Zabriskie, Antonioni is playing with persistence of vision, the shot of the sunset is on the screen unchanging for a long time, then it suddenly cuts to black, this creates an afterimage on your retina, very cool, very painterly, kind of a Rothko type trick. Super Cool. Check it out for yourself. It’s a comment on how the message is getting through to us, Persistence of Vision is how movie work, or rather why they work.