Count On My Love: Tessanne Chin's Major Label Debut Showcases Her Winning Voice
Unless you’d been paying close attention to her various social media channels, you might never know that Jamaican songstress Tessanne Chin, winner of season 5 of NBC’s The Voice, released her major label debut
Count On My Love all the way back in July. Yup, July. Limited promotional support from her label translated to the lowest post-Voice sales ever, with just a measly 7,000 units sold in the first week. And it’s a shame, because with Count On My Love, Tessanne shows us just why she deserved to be recognized for her powerhouse voice.
Now, this was never an album that would storm the charts. (Count On My Love debuted at #41 on the Billboard 200.) The songs were clearly chosen with an interest in showing off Tessanne’s vocal range, as opposed to ensuring commercial success. But the music is lilting and easy; Chin’s sound is noticeably more mature than her 2010 independent release,
Now, this was never an album that would storm the charts. (Count On My Love debuted at #41 on the Billboard 200.) The songs were clearly chosen with an interest in showing off Tessanne’s vocal range, as opposed to ensuring commercial success. But the music is lilting and easy; Chin’s sound is noticeably more mature than her 2010 independent release,
In Between Words.
The single choices are baffling however.
The single choices are baffling however.
Tumbling Down, Tessanne’s “coronation song”; written by Ryan Tedder of One Republic fame, and performed the night she was announced as the season’s winner; is a middling number. It’s a mid-temp, slightly pop-y ballad that doesn’t adequately let Tessanne shine, and should never have been chosen as the album’s lead single. The second single
Everything Reminds Me Of You does nothing to improve on the tepid impact of the first.
A much better choice would have been the album’s incredibly radio friendly title track,
A much better choice would have been the album’s incredibly radio friendly title track,
Count On My Love; a delightfully breezy pop song with a distinct “island vibe.” It’s a great song, and by far the stand out track. The song could easily have been the sequel to her
2010 duet with local star Kees Dieffenthaller, Loving You. This fact brings to light another issue with the record: it is entirely a solo effort, with no collaborations. While Tessanne most definitely holds her own, proving her mettle from track to track, the lack of other voices is conspicuous, considering the number of high profile musicians she has worked with in the past.
The entire album has a consistent rock steady vibe, but this is both a blessing and curse. Many of the songs blend together, indistinguishable except by their hooks, and punctuated by Tessanne’s breathtaking voice. But the positives largely outweigh the negatives on this ten-track record. The tunes are very catchy, and they’re exactly the kind of songs you want to sing along to in your car. The melodies are fun and they show off Chin’s extraordinary vocals without lapsing into the oversinging that plagues many popular artists (*cough* Christina Aguilera *cough*) Chin’s voice easily reaches notes most wouldn’t dare attempt and her intermittent lapses into Jamaica patois are endearing, and a clever stylistic choice.
The one track that feels misplaced is the closing number,
The entire album has a consistent rock steady vibe, but this is both a blessing and curse. Many of the songs blend together, indistinguishable except by their hooks, and punctuated by Tessanne’s breathtaking voice. But the positives largely outweigh the negatives on this ten-track record. The tunes are very catchy, and they’re exactly the kind of songs you want to sing along to in your car. The melodies are fun and they show off Chin’s extraordinary vocals without lapsing into the oversinging that plagues many popular artists (*cough* Christina Aguilera *cough*) Chin’s voice easily reaches notes most wouldn’t dare attempt and her intermittent lapses into Jamaica patois are endearing, and a clever stylistic choice.
The one track that feels misplaced is the closing number,
One Step Closer. While not a bad song, the track seems to be the one attempt to produce something radio ready. But the heavy bass and dubstep influences battle for attention with Tessane's voice, and it's a testament to her skills that they never quite overpower her. After nine tracks of breezy melodies, One Step Closer stands in stark contrast.
In the end, I give the album a B . It’s a solid body of work that deserves far more recognition that it got. Tessanne’s skills don’t disappoint for a second, and the music shows how talented she really is.
In the end, I give the album a B . It’s a solid body of work that deserves far more recognition that it got. Tessanne’s skills don’t disappoint for a second, and the music shows how talented she really is.
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