Completed: The Flora Dress
Haha! In all seriousness, let’s welcome the newest member of the By Hand London family – Miss Flora!
Flora is a lovely dress with two bodice options and pleated circle skirt with a straight or hi-lo hem (or, as I like to call it, mullet-hem). I’ve dubbed this a floaty warm-weather dress because that’s specifically what my version is made for, but I imagine this could make a pretty sweet cold-weather dress, too, sewn up in the right fabric (preferably with some kind of crazy awesome contrast lining in the skirt, so it peeks out behind your legs and ooooh!).
My version is the the dipped hem skirt with mock wrap bodice. Man, I love me a good wrap bodice, mock or not.
I did have to make a few changes to get a good fit on the pattern, but nothing that runs outside my ordinary alterations. Let’s get them all out in a pretty list. I started with the size 2/6:
- 3/8″ rounded back adjustment 5/8″ darts at the upper back
- Lowered the shoulder seams 1″ – also lowered the vertical waist darts 1″ (I also should have lowered those horizontal bust darts too, looking at all the wrinkles on mah side boobs. Oh well, hindsight is 20/20 blah blah)
- 3/8″ tuck out of the front neckline to keep it from gaping
The rounded back adjustment is a new thing for me – I’ve noticed on a lot of my old handmades, there is a weird gaping at the upper back, right under the nape of my neck. It looks STUPID AS SHIT. Apparently I have a ~rounded upper back~ or a Dowager’s Hump, which yes, sounds even worse. I am pretty certain this is in relation to a change in posture, which means I need to start doing yoga or something. Lord.
You know what, though? My upper back no longer has ANY gaping, at least not in this dress! Fuck yeah!
The rest of the dress came together without any additional alterations – even the skirt length is as-printed on the pattern. I know some people really hate this type of hem – that was me, for a long time, and still to some extent (on the really bad ones, YOU KNOW WHICH ONES I’M TALKING ABOUT), but I reeeeally love it on this dress. Combined with the circle skirt, it kind of makes me feel like a princess, without feeling like I look over-the-top. Does that make sense?
It should be noted that, since the back side of the fabric show behind your legs due to the hem line, you probably want to make sure that it doesn’t look totally hiddy. My fabric isn’t super gorgeous on the wrong side, but it’s passable. It looks fine.
I finished the skirt seams with a simple french seam – I think that just looks prettiest on exposed seams like the backside of a mullet skirt. The hem is just a tiny rolled hem, but wouldn’t it be pretty with a strip of lace so it show on the back? Yes, yes it would. Just be forwarned that this hem is looooong and goes on into forever, so if you handsew… you’ll be handsewing into forever, too.
Same with my Georgia dress, I stabilized the neck edges with twill tape to keep it from gaping. I really cannot recommend this step enough when it comes to necklines that have a tendency to droop and gape open – it pulls everything slightly in, and keeps it secure. I can move around all I want and there is no gaping! Yes!
This cotton voile fabric is equal parts weird and amazing, isn’t it? I picked it up from Mood Fabrics with this dress specifically in mind (I also grabbed this navy linen with View A in mind, but floaty won out. And now, the more I look at it, the more that linen might want to be a skirt. Thoughts?).
The Flora was designed to be made up in most any fabric (check out the other versions on the BHL blog if you don’t believe me… as a side note, MAN I am jealous of that cleavage! Dang! Haha!), so I chose to go on the lighter side – lightweight, floaty, almost see-through, you know the drill. What’s interesting about this fabric is that it has all the qualities on voile, with an extra kick of giant embroidered dots scattered everywhere. The dots are slightly thicker than the voile (not, super duper thick like you’d think when you think embroidery… more like the equivalent of a couple extra layers of the voile in thickness), but they don’t affect the drape of this fabric. Also, they’re cotton, so they didn’t do anything crazy when I hit them with my iron. Win!
One more shot of the upper back, bc I’m so proud of myself Just a note – in most of these pictures, I’m wearing a strapless bra with my dress. You can see my black bra strap in this picture; that’s cos this came from the set I snapped and sent to BHL after I tested the pattern (just… be thankful I retook them, that’s all I have to say about that!). Anyway, my point is, the straps of the dress are not bra-friendly without a little bit of tweaking. You’ll either need to make bra strap carriers to hold the straps in, or go strapless.
I underlined my bodice in a lightweight cotton batiste, so the inside feels soft and breatheable and delicious. Also, no slippery lining fabric, yay!
